Quando torneremo a guardare le stelle

As animals steadily disappear from their environments, they continue to inhabit the human imagination in the form of myths, traces, and representations. Within museum displays and taxidermy workshops, holy spaces and family albums, long-standing narratives reveal the complex and often dualistic relationships humans have built with otherness and the living world.

Quando torneremo a guardare le stelle [When We Look at the Stars Again] stems from a reflection on human–nonhuman relationships in Western patriarchal societies in the age of the Anthropocene—relationships shaped by logics of separation, control, extraction, and appropriation of life. Through a range of forms including self-portraiture, staged images, collage, and patchwork, the project generates alternative imaginaries in which dreamlike elements, humor, and the absurd become potential sites of resistance. By engaging her own body through performative gestures, Susanna unsettles established visual codes and representations, exposing the underlying structures of power and domination that have, over centuries, become embedded in the Western collective imagination.

Quando torneremo a guardare le stelle is an invitation to shift perspective, to think from elsewhere. It calls for new ways of relating, coexisting, and caring—between human and nonhuman, between animal bodies and female bodies—in an effort to imagine renewed alliances among companion species.

Project in the frame of Giovane Fotografia Italiana #13 – VOCI / VOICES


BIO

Susanna De Vido

Susanna De Vido (b. 1993, Conegliano, TV, IT) is a visual artist based in Arles. After earning a Master’s degree in Architecture from Università Iuav di Venezia in 2018, she worked in several architecture studios in Paris before fully dedicating herself to photography and artistic practice. In 2022 she joined the Master’s program at the École Nationale Supérieure de la Photographie in Arles, where she is completing her final year following an academic exchange at Aalto University in Helsinki.

Her artistic practice, grounded in the assemblage of archives, performative images, and patchworks, questions power structures embedded in colonial, patriarchal, and anthropocentric narratives.

Her work has been presented internationally, including at Les Rencontres d’Arles (2024), the OFF Festival Arles (2025), Trieste Photo Days (2020), and the Biennale di Architettura di Venezia (2014).